Our Annual Design Review features some of the creative highlights from our work over the year.
A broad variety of projects are covered from our Gold Award in the 2009 Pentawards and Vendange Wines branding to our COP15 co2penhagen posters and conference speaking engagements.
Thursday, 21 January 2010
Wednesday, 20 January 2010
Found ABC
Looking and Seeing - a typography research project with students at the Ecole Bleue. Sky Type involves raising your eyes and looking at the city from a new angle. The Reflection ABC book cleverly plays on a mirror foil page and the reflection of the image to create the complete character.
Sky Type by Céline Juppeau
Reflection by Anne-Laure Acloque
Monday, 18 January 2010
Google search and site traffic
Google - 'Paul Vickers + design' and the first six entries found are mine. In a Google image search sixty of my images are found on the first five pages.
Traffic to my des!gn think!ng site averages between fifty to one hundred hits a month.
Traffic to my des!gn think!ng site averages between fifty to one hundred hits a month.
Sorbonne University Paris brand identity review by Paul Vickers for Brand New
I have joined the editorial team at Brand New, a division of Under Consideration, as an international correspondent covering branding and identity design news from France.
My full review of the new brand for the Paris Sorbonne University can be read here: www.underconsideration.com/brandnew/archives/the_radiance_of_knowledge.php
My full review of the new brand for the Paris Sorbonne University can be read here: www.underconsideration.com/brandnew/archives/the_radiance_of_knowledge.php
Tuesday, 12 January 2010
200 years - Peugeot's new brand
Friday, the 200th anniversary of French car maker Peugeot, saw the unveiling of the new Peugeot brand by BETC Design as well as the launch of the SR1 concept car and an impressive promo video retracing the brands history from its humble origins as a coffee grinder maker, via steam-powered tricycles to one of the world's leading car manufacturers.
The new brand is an improvement in some ways on the rather unsophisticated and functional 1989 design but is rather a predictable solution with a few disturbing characteristics.
Most disappointing is the treatment of the lion - Peugeot's heritage symbol - who has lost all his majesty and force, his very lion-ness and now looks more like a teddy bear or a poodle. This, to judge by the comments in internet chat's, is what most concerns the design community and the general public.
The chrome treatment of the lion, the current design trend for all car makers, is poorly rendered, where Citroën's by Landor was successful. There is none of the power and dynamism of Jaguar by The Partners 2002. The typography is light and sophisticated with the same E as Citroën, perhaps to signify their belonging to the same group. One thing I have always questioned is why the lion faces left, when the name reads left to right and facing left is looking backwards. Flipping him to face the future was just too much change?
The new brand is an improvement in some ways on the rather unsophisticated and functional 1989 design but is rather a predictable solution with a few disturbing characteristics.
Most disappointing is the treatment of the lion - Peugeot's heritage symbol - who has lost all his majesty and force, his very lion-ness and now looks more like a teddy bear or a poodle. This, to judge by the comments in internet chat's, is what most concerns the design community and the general public.
The chrome treatment of the lion, the current design trend for all car makers, is poorly rendered, where Citroën's by Landor was successful. There is none of the power and dynamism of Jaguar by The Partners 2002. The typography is light and sophisticated with the same E as Citroën, perhaps to signify their belonging to the same group. One thing I have always questioned is why the lion faces left, when the name reads left to right and facing left is looking backwards. Flipping him to face the future was just too much change?
Monday, 11 January 2010
La Charcuterie business cards
Thursday, 7 January 2010
Wallpaper* publishes Pentagram card I designed with Mervyn Kurlansky
Wallpaper* the design, art, lifestyle magazine has published an article on Pentagram's Christmas cards over the years, featuring the card I designed with Mervyn Kurlansky in 1982. This brought back memories of my years with Pentagram and the people who made up that unique team.
It also reminded me of the time before Mac's, when everything was done by hand, of Cow Gum, Rotring pens and scalpels...
Friday, 1 January 2010
My 2010 card selected by dezeen magazine
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